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3 jili DENVER (AP) — Amid renewed interest in the killing of JonBenet Ramsey triggered in part by a new Netflix documentary, police in Boulder, Colorado, refuted assertions this week that there is viable evidence and leads about the 1996 killing of the 6-year-old girl that they are not pursuing. JonBenet Ramsey, who competed in beauty pageants, was found dead in the basement of her family’s home in the college town of Boulder the day after Christmas in 1996. Her body was found several hours after her mother called 911 to say her daughter was missing and a ransom note had been left behind. The details of the crime and video footage of JonBenet competing in pageants propelled the case into one of the highest-profile mysteries in the United States. The police comments came as part of their annual update on the investigation, a month before the 28th anniversary of JonBenet’s killing. Police said they released it a little earlier due to the increased attention on the case, apparently referring to the three-part Netflix series “Cold Case: Who Killed JonBenet Ramsey.” In a video statement, Boulder Police Chief Steve Redfearn said the department welcomes news coverage and documentaries about the killing of JonBenet, who would have been 34 this year, as a way to generate possible new leads. He said the department is committed to solving the case but needs to be careful about what it shares about the investigation to protect a possible future prosecution. “What I can tell you though, is we have thoroughly investigated multiple people as suspects throughout the years and we continue to be open-minded about what occurred as we investigate the tips that come into detectives," he said. The Netflix documentary focuses on the mistakes made by police and the “media circus” surrounding the case. JonBenet was bludgeoned and strangled. Her death was ruled a homicide, but nobody was ever prosecuted. Police were widely criticized for mishandling the early investigation into her death amid speculation that her family was responsible. However, a prosecutor cleared her parents, John and Patsy Ramsey, and brother Burke in 2008 based on new DNA evidence from JonBenet's clothing that pointed to the involvement of an “unexplained third party” in her slaying. The announcement by former district attorney Mary Lacy came two years after Patsy Ramsey died of cancer. Lacy called the Ramseys “victims of this crime.” John Ramsey has continued to speak out for the case to be solved. In 2022, he supported an online petition asking Colorado’s governor to intervene in the investigation by putting an outside agency in charge of DNA testing in the case. In the Netflix documentary, he said he has been advocating for several items that have not been prepared for DNA testing to be tested and for other items to be retested. He said the results should be put through a genealogy database. In recent years, investigators have identified suspects in unsolved cases by comparing DNA profiles from crime scenes and to DNA testing results shared online by people researching their family trees. In 2021, police said in their annual update that DNA hadn’t been ruled out to help solve the case, and in 2022 noted that some evidence could be “consumed” if DNA testing is done on it. Last year, police said they convened a panel of outside experts to review the investigation to give recommendations and determine if updated technologies or forensic testing might produce new leads. In the latest update, Redfearn said that review had ended but that police continue to work through and evaluate a “lengthy list of recommendations” from the panel. Amy Beth Hanson contributed to this report from Helena, Montana.

Known for her stunning beauty and glamorous lifestyle, Liu Dabeili was a rising star in the world of online influencers. Her social media accounts were filled with pictures of luxurious vacations, high-end fashion, and perfectly curated moments with her young son. However, all that glitters is not gold, and the recent events have revealed the darker side of fame and beauty.NORTH BAY, Ont. — Dalyn Wakely scored twice as the Barrie Colts topped the North Bay Battalion 3-1 in Ontario Hockey League play on Sunday. Zach Wigle had the other goal for Barrie. Briir Long replied for North Bay. PETERBOROUGH, Ont. — Will Gerrior scored the game-winning goal at 19:49 of the third period as the 67's edged the Petes. It was his second goal of the game. Cooper Foster, Henry Mews and Chris Barlas added singles in Ottawa's victory. SAULT STE. MARIE, Ont. — Cole Davis had a hat trick as the Windsor Spitfires topped the Sault Ste. Marie Greyhounds. Liam Greentree scored twice for the Spitfires. SUDBURY, Ont. — Adrian Misaljevic's overtime winner gave the Rangers a victory over the Wolves. Luke Ellinas and Haeden Ellis scored in regulation for Kitchener. FLINT, Mich. — Noah Aboflan had a goal and an assist as the London Knights downed Flint Firebirds. PJ Fagan II, Henry Brzustewicz and Andoni Fimis also scored for London. SAGINAW, Mich. — Carson Harmer scored three goals as the Saginaw Spirit defeated the Niagara IceDogs. Calem Mangone added two goals while Ethan Hay tallied once for Saginaw. OSHAWA, Ont. — Luca Marrelli had a goal and an assist as the Oshawa Generals downed the Kingston Frontenacs. Owen Griffin, Lauri Sinivuori and Colby Barlow also scored for Oshawa. This roundup was generated automatically with a CP-developed application. This report by The Canadian Press was first published Dec. 29, 2024. The Canadian PressNone

In conclusion, the current scenario of money market funds reporting 7-day annualized yields below 1.5% underscores the impact of declining interest rates on the financial sector. Investors and financial institutions alike must adapt to these changing market conditions by exploring innovative investment solutions and optimizing their portfolio strategies to weather the storm of low yields. By staying proactive and informed, investors can navigate through these challenging times and position themselves for long-term financial success.Gloria Steinem often recounts an encounter with Kamaladevi Chattopadhyay in the 1970s that had a lifelong impact on her. The American feminist met the great Indian activist with the goal of exploring the potential of Gandhian organisational tactics for use in feminist campaigns worldwide. ET Year-end Special Reads What kept India's stock market investors on toes in 2024? India's car race: How far EVs went in 2024 Investing in 2025: Six wealth management trends to watch out for Steinem recalls that Chattopadhyay listened patiently to her, before responding, 'Well, my dear, we taught him everything he knew.' She proceeded to explain how Mohandas Gandhi himself had been inspired by India's decades-long women's movements. You will be hard-pressed to find this insight in textbooks for Indian schoolchildren. As I listened to Steinem discuss Chattopadhyay some months back on 'Wiser Than Me', a podcast hosted by actor-comedian Julia Louis-Dreyfus, I was reminded not just of how women's contributions are routinely erased or diminished by patriarchal historians, education systems and news media, but also of how Black and Brown women are relegated to the margins in the global - and even Indian - discourse on feminism. This issue is particularly on my mind as we bid goodbye to 2024, a year on which India's Women in Cinema Collective (WCC) has had a profound impact. Too often, public conversation on feminism in India portrays White women and those operating in the West as leaders of this transcontinental ism. Steinem and Germaine Greer are more likely to be cited than Savitribai Phule, Chattopadhyay, Mary Roy, Bhanwari Devi, or the numerous others whose courage, diligence, perseverance and sacrifices reformed society and opened doors that were once shut to women. During a TV panel debate about a decade back after a heinous rape made headlines, I was torn between amusement and exasperation at the ignorance of a news anchor who asked me, 'Does India need a feminist movement?' As though we have not had one for centuries. 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Yet, it has taken seven years and a sensational news development in August 2024 for the national media to finally give WCC the coverage that their groundbreaking feminism merits. WCC came together in early 2017 following the sexual assault of a Malayalam film star, many months before #MeToo in the US. This year, the group attracted international attention with the release of the Hema Committee Report on the working conditions of women in Malayalam cinema. The committee was set up by the Kerala government at WCC's urging. Le Monde described its report as 'explosive' for 'revealing widespread sexual harassment and abuse' in the industry. The conversation has since fallen off the national radar. But WCC is unrelenting in its pursuit of equitable workplaces for women. While the media and public remained preoccupied with the sexual crimes unearthed by the Hema Committee Report, WCC determinedly kept drawing our focus back to the fact that these crimes are just one part of the report and a symptom of a larger problem - gender inequality - pervading the film industry and society at large. As the Kerala High Court monitors the action taken by the authorities on the Hema Committee Report findings, WCC is quietly working towards shaping government policy in the state. This single-mindedness has extracted a heavy price from the organisation's members. Actors Parvathy Thiruvothu and Ramya Nambessan are among those who have publicly spoken of losing work in their male-dominated industry as retribution for their activism. That said, the group has provided a useful template for activists in other film industries. Women of the Telugu industry, for instance, got together to form the Voice of Women with similar goals in 2019, and have repeatedly acknowledged WCC as an inspiration. Any future encyclopaedia on feminism will be incomplete without a chapter on WCC. That chapter will be written, though, only if we acknowledge the persistent marginalisation and erasure of women's pivotal roles in rights movements, and course-correct. Our time to do that starts now. The writer is author of The Adventuresof an Intrepid Film CriticMonetizing Roadblocks for Pakistani Content Creators